Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
€7EUR or more
Record/Vinyl + Digital Album
The soundtrack to your electronic nightmare!
There are places, they say, best left unexplored. Temples of darkness, ziggurats of
gloom, resting places for those desperate souls whose essences have not fully
departed this mortal plane...Who knows what awful secrets lurk there, deep in
the black places of the Earth?
LAWA know. For their latest round of releases on the always forward-looking
Cineploit label, the duo of Austrian mega-synthesists Alain Leonard and Alex
Wank access realms as yet unseen by human eyes. Expanding on their previous
records' diet of soundtrack-heavy electronics and percussive mayhem,
"Manipulation" and sister album "Instrumentalization" dive headfirst into the
deep end of techno darkness, taking the listener on a one-way trip into unknown
dimensions of industrial, malevolent horror.
Listen. Listen closely.
You will find yourself running, panic-stricken, through skyscraper canyons and
waste-strewn alleys, pursued by nameless, faceless automatons.
You will stand within far-distant hidden cities, cowering from the impossible
shadows that form among those twisted architectures.
You will sleep; and, aeons later, awake, somehow fundamentally altered from the
person you once were.
You will transcend time.
You will, at the last, cheat death.
And, unsure of whether your perceptions are to be trusted, you will listen to this
music...and listen again. Do you dare?
On to practical matters. On previous LAWA records our intrepid explorers
reinterpreted newly-excavated reverberations and resonances from the dustier
reaches of the celluloid world. And here again, as ever, the influence of the Italian
Masters looms strong. Reanimating the festering remains of Ennio Morricone,
Bruno Nicolai and Riz Ortolani might, in some quarters, be frowned upon as
somehow disturbing the natural cycle of existence. But there is music yet to be
discovered within the legacy of those enigmatic souls. Not all ghosts bear malice.
Some wish it to be known that the fruit of their endeavours tastes as succulent as
ever. Would it not be impolite to refuse the offer?
And bear witness. "Manipulation" and "Instrumentalization" are presented as a
compound organism of music and visuals, distinct and seemingly-incompatible
elements intertwined like poison ivy. The artwork for these twin offerings was
conceived and developed by one Thomas Zackl, designer extraordinaire and the
visual genius behind many past Cineploit releases. In the art deco stylings of Herr
Zackl's illustrations we can see the perfect symmetry of sound and light, of dread
and hope. These figures may be you, or your loved ones – or, if your fortune
deserts you, they may depict the likeness of your ultimate nemesis. Look into the
mirror of this music and find out...
And finally, a vital question. Do the men of LAWA know what they have wrought?
Do they perceive their compositions the same way others do, as a medium for
channelling that which the cautious may shy away from in fear and trepidation?
Perhaps not. Perhaps, in the crepuscular, myceloid dusk they inhabit, they are
merely humming along to the music of the cosmos, the eternal tolling of a vast,
all-encompassing bell. Disturb them at your peril! (Matt Thompson)
Includes unlimited streaming of Manipulation
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
...more
MANIPULATION (Cine 27) and its Sister record INSTRUMENTALISATION (Cine 28) - release date for Cine 28 January 2023
The soundtrack to your electronic nightmare!
There are places, they say, best left unexplored. Temples of darkness, ziggurats of gloom, resting places for those desperate souls whose essences have not fully departed this mortal plane...Who knows what awful secrets lurk there, deep in the black places of the Earth?
LAWA know. For their latest round of releases on the always forward-looking Cineploit label, the duo of Austrian mega-synthesists Alain Leonard and Alex Wank access realms as yet unseen by human eyes. Expanding on their previous records' diet of soundtrack-heavy electronics and percussive mayhem,
"Manipulation" and sister album "Instrumentalization" dive headfirst into the deep end of techno darkness, taking the listener on a one-way trip into unknown dimensions of industrial, malevolent horror.
Listen. Listen closely. You will find yourself running, panic-stricken, through skyscraper canyons and waste-strewn alleys, pursued by nameless, faceless automatons.You will stand within far-distant hidden cities, cowering from the impossible shadows that form among those twisted architectures. You will sleep; and, aeons later, awake, somehow fundamentally altered from the person you once were.
You will transcend time.
You will, at the last, cheat death.
And, unsure of whether your perceptions are to be trusted, you will listen to this music...and listen again. Do you dare?
On to practical matters. On previous LAWA records our intrepid explorers reinterpreted newly-excavated reverberations and resonances from the dustier reaches of the celluloid world. And here again, as ever, the influence of the Italian Masters looms strong. Reanimating the festering remains of Ennio Morricone, Bruno Nicolai and Riz Ortolani might, in some quarters, be frowned upon as somehow disturbing the natural cycle of existence. But there is music yet to be discovered within the legacy of those enigmatic souls. Not all ghosts bear malice.
Some wish it to be known that the fruit of their endeavours tastes as succulent as ever. Would it not be impolite to refuse the offer?
And bear witness. "Manipulation" and "Instrumentalization" are presented as a compound organism of music and visuals, distinct and seemingly-incompatible elements intertwined like poison ivy. The artwork for these twin offerings was conceived and developed by one Thomas Zackl, designer extraordinaire and the visual genius behind many past Cineploit releases. In the art deco stylings of Herr
Zackl's illustrations we can see the perfect symmetry of sound and light, of dread and hope. These figures may be you, or your loved ones – or, if your fortune deserts you, they may depict the likeness of your ultimate nemesis. Look into the mirror of this music and find out...
And finally, a vital question. Do the men of LAWA know what they have wrought? Do they perceive their compositions the same way others do, as a medium for channelling that which the cautious may shy away from in fear and trepidation? Perhaps not. Perhaps, in the crepuscular, myceloid dusk they inhabit, they are merely humming along to the music of the cosmos, the eternal tolling of a vast, all-encompassing bell. Disturb them at your peril! (MATT THOMPSON)
credits
released October 10, 2022
Alain Leonard - electronics, keyboards, synths, samplers, mixing, mastering
Alex Wank - Drums, Percussion, additional electronics
LAWA (Alain Leonard/Alex Wank) CineploitVienna, Austria
LAWA is the acronym for LEONARD ALAIN & WANK ALEX.
Honouring soundtrack music of Fabio Frizzi, Walter Rizzati,
Riz Ortolani and Ennio Morricone on their homage´s relased via Cineploit Records in 2012, 2015 and 2017.
The future of LAWA will bring cinematic music in their very own dark, electronic industrialized sound....more
Glowing melodic synth sequences meet jagged noise and other industrial textures on this new LP by soundtrack composer René G. Boscio. Bandcamp New & Notable Oct 13, 2020