1. |
Leaf in the Wind
08:50
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2. |
Arcadia
10:07
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3. |
Departing Landscape
05:58
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4. |
Escapology
11:42
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5. |
Glenoe
05:41
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6. |
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7. |
Underland New Dawn
13:55
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8. |
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9. |
Robert Scott Thompson Atlanta, Georgia
The term musical alchemist best describes modern music composer Robert Scott Thompson. Combining his mastery of the electroacoustic, contemporary instrumental, and avant-garde genres into a swirling cohesive whole, he is an important pioneer on music's new frontier. ... more
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supported by 10 fans who also own “Escapology”
Wonderful album of gorgeous dreamy modular synth soundwaves that really take your mind away to pastures new. Something different from the usual ambient scene. Interesting and ever changing makes a compelling listening experience.
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supported by 10 fans who also own “Escapology”
There's a warmth to this album that I love. The melodies are beautifully performed, off the grid with lots of interesting turns, and the effect processing is masterfully dialed-in, creating this really lush and wide sound.
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Offering to the Morning Fog
by Robert Rich
supported by 10 fans who also own “Escapology”
Right from the first sound you hear, to the last note - this album will transport you to a natural place. I cannot put into words how this album has been such a huge help. It’s like a friend now - like someone who is always there. An amazing album that everyone should own. Thanks so much, Robert.
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Sadness Be Damned
by Blessed are the Hearts that Bend
The London-based musician's latest project was designed as a soundtrack to a non-existent film.
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the night is in my mouth
by Lyndsie Alguire
From Montréal, Lyndsie Alguire delivers a gorgeous record dedicated to ”all-nighters,” with synth sounds that conjure cities after dark.
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Eluvium's experimental "Virga I" is the first release in a new ambient series that is exclusive to Bandcamp.
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supported by 9 fans who also own “Escapology”
Serene and meditative, I love the mix of genres and different elements. Impossible to pick a fav' track! Thee live version was a lovely inclusion. Ty.
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