Klauss, tras varios años de elaboración, presenta "921", el primer álbum que produjeron desde el establecimiento de su nuevo estudio/laboratorio, La Siesta Del Fauno, en Buenos Aires y de su actual formación (Ernesto Romeo, Francisco Nicosia, Lucas Romeo y Pablo Gil). Desde 1988 Klauss transita por la creación de profundos e inclasificables paisajes sonoros basados en la exploración intensiva de las posibilidades expresivas de sintetizadores, instrumentos electrónicos y eléctricos, teclados, etc., dando vida a un mundo surreal, intenso, progresivo, modular, orgánico, evolutivo y onírico.

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After several years of production, Klauss presents "921", their first album since the opening of La Siesta Del Fauno, their studio/laboratory in Buenos Aires and with the current line-up (Ernesto Romeo, Francisco Nicosia, Lucas Romeo and Pablo Gil). Since 1988 Klauss has been creating deep and unclassifiable sound landscapes based on an intensive exploration of the expressive possibilities of synthesizers, electronic and electrical instruments, keyboard, etc., giving life to a surreal, intense, progressive, modular, organic, evolutionary, dreamy world.

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Composed, programmed, performed, produced, recorded and mixed by Klauss in studio/laboratory La Siesta Del Fauno, Buenos Aires, Argentina, between 2014 and 2017.
Mastered in December 2017 by Pablo Gil in Romaphonic Studios, Buenos Aires, Argentina.
Artwork: Proyecto Serial (Gabriel González Suárez / Guillermo Madoz), 2019.
Management: Gia Fazio

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Synthesizers, modular systems, keyboards, drums, sequencers and electronic instruments: Yamaha CS80, CS40M, SK50D, SY99; Moog Modular System, MiniMoog Model D, MemoryMoog Plus, MultiMoog, Opus 3; Sequential Circuits Prophet T8, Prophet 5, Pro-One; Roland Juno 60, Jupiter 4, JX8P, JD990 (Super JD), VP330 Vocoder Plus, RS550 Paraphonic Strings, TR808, TR909, TB303; E-Mu Modular System, Emulator II+, Emulator 4 E-Synth; Oberheim OB-Xa, SEM, Xpander; PPG Wave 2.2; ARP 2600, ARP 1621 Sequencer, ARP/Antonus 1601 Sequencer; EMS Synthi AKS, VCS3 “The Putney”; Korg Mono/Poly, MS20, MS50, PS3300, PS3100, Wavestation A/D, DW8000, VC10 Vocoder, SQ10 Sequencer, Univox SR95 Drum Machine; LinnDrum LM-2; Ensoniq SQ80; Kawai 100f, K5000W; Kurzweil K2500R; Dave Smith PolyEvolver; Núcleo Modular System; Arturia MicroBrute SE; Clavia Nord Stage 2; Novation Bass Station; Teenage Engineering OP-1; Solina String Synthesizer; Mellotron M400; Farfisa Synthorchestra; Rhodes Mark I Dyno-My-Piano; Hohner Clavinet; Hammond M3 Organ; Wurlitzer EP200 Electric Piano; HeatKit IG-72 Audio Generator.

Electric guitars: Gibson Les Paul; Roland GR505.
Electric bass EKO.

Acoustic drums CAF.
Acoustic piano Bösendorfer.

Processors: Lexicon 480, PCM70; Korg SDD2000, DRV1000; Roland SDE3000, Space Echo; Eventide H3000SE; Mu-Tron Bi-Phase, AudioPhonic Mutron III; Leslie Rotary Speaker 120; Focusrite Red 3, ISA430; Rupert Neve RND 5043; MXR DynaComp; Electro Harmonix Graphic Fuzz, Memory Man; Moog/Big Briar MF102 Ring Modulator, MF104 Delay, MP201, CP251; Fender Twin Reverb; Plugged It Psycho Jumper; E-Bow; Synthoma elKorus; Revox B77; Cluster Spiral; E-Mu Modular; Moog Modular.

Software: Avid ProTools, Ableton Live, Waves.
Mastering processors: GML 8200 Parametric Equalizer,; Shadow Hills Mastering Compressor; Pendulum PL2 Analog Peak Limiter.